New Tunesday – December 4, 2018

In addition to all of the great variety of a cappella you can hear ’round the clock here at Acaville Radio, we’re going to bring you some bonus releases each Tuesday to make sure you’re finding all of the latest and greatest this talented community has to offer.

Here are our favorites this week- and yes, there are a lot of holiday tunes – a trend we expect to continue over the next few weeks:

The Swingles

The first video featuring the group’s newest soprano, Federica Basile, is a smash hit. You were expecting anything less?

Swingles, UK, a cappella, singing, Tokyo, London

Voctave

There may be nothing more beautiful than Voctave singing holiday songs. It’s certainly something to look forward to each year, and their latest release “O Come, O Come Emmanuel/The First Noel/I Wonder As I Wander” is as good as it gets.

Voctave, singing, a cappella, Christmas, holiday, music, carols

Y-Studs

Combining the magic of Queen with Hanukkah? We’re here for it.

Jewish, a cappella, Y-Studs, Queen, Hanukkah, Chanukah

Six13

More Queen. More Hanukkah. More awesome.

Six13, Jewish, A cappella, Hanukkah, Chanukah, Queen
The Turkish a cappella group teamed up with Finnish beatboxer Tuukka Haapaniemi for this performance of  Kerimoğlu Zeybeği, mixed by Bill Hare.
a cappella, Turkey, singing, folk music

Face

Leave it to the all rock band in Colorado to reimagine O Little Town of Bethlehem to the tune of House of the Rising Sun.

Face, Colorado, vocal rock, a cappella, holiday, music, a cappella, Christmas, carols

Upper Structure

Treat yourself to the talent that just oozes out of these Berklee College of Music students with their lead track from their 2018 ICCA Competition Set, “Freedom.”

Berklee, a cappella, Freedom, Beyonce, cover, ICCA

Highline Vocal Jazz

In celebration of nearly one year as a group, Highline treated us to an inspired arrangement of O Holy Night.

Christmas, carols, a cappella, NYC, holiday

Venice Vocal Jam

Singing an arrangement by Homestay Music (you know them – it’s Erik Bosio, Vinther Sørensen, and Jussi Chydeniuss) we get some Beatles love out of Italy.

Beatles, a cappella, Italy, Venice, singing, Cluster

Beatsync

This Toronto group typically performs with a great deal of tech, but for their DCappella Tour submission, they stripped it all down to just acoustic voices.

a cappella, Canada, Toronto, acoustic, Beatsync

Scott & Ryceejo

Enjoy this new take on a classic carol from the husband and wife duo out of Utah, singing Silent Night with support from Spark Singers.

holiday, a cappella, Christmas, carols, Scott, Ryceejo

AcoUstiKats

You may have become acquainted with this group through The Sing-Off, but the tradition lives on years after the show was retired. Here are the current ‘Kats singing a Nick Johnson arrangement of Deck the Halls:

UK, Kentucky, Christmas, carols, singing, a cappella

Association of International Champions

Another gem from the 2018 AIC show, this week we get to relive and enjoy “It’s a Small World” by the full AIC Chorus.

AIC, barbershop, champions, Disney, a cappella

Iris Tops The #AcaOpen

In a night of a cappella grandeur, brand-new New York City trio, Iris, tipped the scales in their favor. With masterful arranging and rhythm section work from Andrew John Kim, paired with the incredible vocals of Dara Orland and David Rowen, the halls of Carnegie were ringing with the sounds of just three voices.

Iris takes classic songs and presents them with a modern twist, bringing at once a feeling of nostalgia and a strong urge to groove. Vocals were delivered with near perfection in strong emotional arcs throughout their four-song set.  Iris kicked things off with Summertime with a simple and strong entrance that built over time. They upped the complexity with Blackbird with a natural call and response feel backing up strong solos, before moving into a breathtaking rendition of Bridge Over Trouble Water. They closed out their set with a powerful, upbeat take on Favorite Things. Kim’s beatbass was clean throughout, and he seamlessly transitioned in and out of harmony, as Rowan and Orland effortlessly captivated the audience.

But, of course, with ten of the world’s best groups on an iconic stage, there were so many more highlights throughout the night. Since there was a strict ban on any audio, video, or photos during the show, we’ll try to recreate the best parts of experience for you through storytelling.

Supergroup HIVE didn’t waste anytime bringing us spinetingling harmonies – with a mix of stellar original music and unique covers, these ladies were all sparkle. And that’s before you take their fabulous glitter attire into consideration. Whether it was the multitalented Courtney Jenson flipping between soft singing and room rattling percussion, the soulful warm tones from Lisa Forkish and Nina Kasuya, the angel-like sounds from Christina Wilson, or the stage commanding presence of Moorea Dickason, it was impossible to know where to focus – in the best way possible. (Side note – Nina, can I have your sequin cape? Pretty please?)

COLLAB took the stage next and used their strong collegiate presence to their advantage. Everything about their presentation was enjoyable – fluid movement, strong solos, and a smattering of show-stopping chords. Sara Gilbert was recognized for her efforts in leading the group’s visual presentation with the award for Outstanding Choreography.

We traveled across the pond for group three, as London-based VoCollective took the stage. The group utilized the strength of their rhythm section and offered great highlights of power singing with the female trio.  Add in a little sass and some dance moves and you had the audience coming alive and ready to sing and dance.

ICCA Finalist and Virtual Champion, RISE, stepped up the party vibe with confident soloists, a stable of talent, and a stirring rendition of Andra Day’s Rise Up. The group skillfully used key changes to amp up the emotional delivery and looked remarkably polished for a college group just getting into a new school year. The reaction from the audience was visibly positive, as they earned the first standing ovation of the evening.

Next up, we were treated to an encore competition set from ICHSA Champions, Legacy. A final performance for the 2017-2018 group, these talented young singers did not disappoint. The energy in the hall skyrocketed as these eight teenagers took the stage like seasoned professionals with a youthful exuberance. Proving they are more than just bubblegum pop, they sang one of my favorite ballads of the night in a cover of “I Can’t Make You Love Me,” which they delivered with an emotional maturity well beyond their years. Their performance landed them in a respectable fourth place overall and number one in a lot of the audience’s hearts. Only two years into their creation, we can’t help but look forward to all the great things still to come from Legacy.

Third place finisher LUXE closed out the first half of the show with clean deliveries, a smart rhythm section, and very strategic use of the individual talents in the group. Another brand-new group with a history of success in ICHSA and ICCA, LUXE successfully engaged the audience and looked very much at home on the big stage.

Back from Intermission, the second half of the show kicked off with a bang, brought by none other than five-time ICCA Champions, The SoCal VoCals. Carnegie Hall was treated to an encore reprise of the incredible set that captured them the ICCA Championship at Beacon Theatre in April, delivered with the flair and precision we’ve come to expect from this group. More excellent solos, with a special Outstanding Solo nod to Kaylah Baker, it’s possible that their performance of Pure Imagination was their best yet, and their dance moves are simply unparalleled. The group went home with a very strong second place prize.

Reigning Harmony Sweepstakes National Champions and Bay Area favorites Business Casual had the tough draw of following the ICCA legends, but did so with such confidence and engagement, that they were one of my favorite acts of the night. This group knows how to win over an audience and they presented a very clear sense of identity in their performance. Each member of the group looked so natural on stage and brought a fantastic performance – but let me tell you how much I could sit and watch Cassie Greene all day. She epitomizes what I want as an audience member – calm but commanding presence, smooth vocals, and never a doubt that she is enjoying every second of her time on stage.

Iris’ performance was next, just before the final competing group of the evening, Ember. This septet out of Baltimore brought an all-original set that showed real talent in songwriting from Alyce (Lisa) McNulty, Hansel Romero, and Erik Fredriksen. A little bit of big stage nerves were evident at the start of their performance, but they quickly settled in and delivered a wide range of moods and incredible artistry throughout their very eclectic and unique set.

With the competition over and the judges hard at work, the audience got to sit back and enjoy last year’s champions, Women of the World. A superlative performance, as always, and full of demands for audience participation.

With small groups now on a winning streak, it will be interesting to see the growth of the AcaOpen moving forward. Is less more? Is professional a cappella embracing simplicity? But most importantly, what will the talent in our community come up with next?

Tune into #TheSpotlight to hear some singing and interviews with finalists, including a full performance of the finals set from 2018 AcaOpen Champions, Iris.